|Title:||Those Barren Leaves|
|Author:||Huxley, Aldous Leonard|
|Publisher:||Chatto & Windus|
|Description:||Aldous Huxley spares no one in his ironic, piercing portrayal of a group gathered in an Italian palace by the socially ambitious and self-professed lover of art, Mrs. Aldwinkle. Here, Mrs. Aldwinkle yearns to recapture the glories of the Italian Renaissance, but her guests ultimately fail to fulfill her naive expectations. Among her entourage are: a suffering poet and reluctant editor of the "Rabbit Fanciers' Gazette" who silently bears the widowed Mrs. Aldwinkle's desperate advances; a popular novelist who records every detail of her affair with another guest, the amorous Calamy, for future literary endeavors; and an aging sensualist philosopher who pursues a wealthy yet mentally-disabled heiress. Stripping the houseguests of their pretensions, Huxley reveals the superficiality of the cultural elite. Deliciously satirical, Those Barren Leaves bites the hands of those who dare to posture or feign sophistication and is as comically fresh today as when first published. [Suggest a different description.]|
Author Bio for Huxley, Aldous Leonard
Aldous Leonard Huxley (26 July 1894 – 22 November 1963) was an English writer, novelist, philosopher and a prominent member of the Huxley family.
He was best known for his novels including Brave New World, set in a dystopian London, and for non-fiction books, such as The Doors of Perception, which recalls experiences when taking a psychedelic drug, and a wide-ranging output of essays. Early in his career Huxley edited the magazine Oxford Poetry, and published short stories and poetry.
Huxley completed his first (unpublished) novel at the age of 17 and began writing seriously in his early 20s, establishing himself as a successful writer and social satirist. His first published novels were social satires, Crome Yellow (1921), Antic Hay (1923), Those Barren Leaves (1925), and Point Counter Point (1928). Brave New World was Huxley's fifth novel and first dystopian work. In the 1920s he was also a contributor to Vanity Fair and British Vogue magazines.--Wikipedia.
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