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Single Jack

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Title:Single Jack
Faust, Frederick Schiller  Writing under the pseudonym: Brand, Max   
(70 of 98 for author by title)
Six-Gun Country
Silvertip's Trap (Silvertip #5)
Published:   1926
Tags:fiction, western

Andrew Apperly visits his lawyer brother, David, in New York City to convince David to return West with him. Andrew brought with him a wolf-dog, Comanche, to be trained by a man who handles tigers who admits the dog can’t be trained. Comanche saves a man from drowning in the East River who is running from the law. Comanche is this man’s dog and the man is Jack Deems (Single Jack). The Apperly bros head west with the dog, leaving Jack behind, but not for long. He shows up at the Apperly Ranch to get his dog. Apperly says he can have him for nothing but a little assistance in fighting off the big rancher who is stealing his cattle and running the town of Yeoville, Alex Shodress. It turns out that Jack is the fastest, slickest, gol-darndest gunman ever, and the best gol-darndest knifeman and ropeman and everythingman ever seen or heard of out West or back East or up North or down South.—oscar-curlyblog.blogspot.com [Suggest a different description.]

Pages:178 Info

Author Bio for Faust, Frederick Schiller

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Frederick Schiller Faust aka Frank Austin, George Owen Baxter, Walter C Butler, George Challis, Evan Evans, Frederick Faust, John Frederick, Frederick Frost, David Manning, Peter Henry Morland, Max Brand...

Max Brand, one of America's most popular and prolific novelists and author of such enduring works as Destry Rides Again and the Doctor Kildare stories, died on the Italian front in 1944.

“No pulp writer was more prolific than Frederick Faust, who wrote nearly 15 million words under the pen name of Max Brand and seventeen others. He sold all his stories and sometimes wrote complete issues of Western Story Magazine. But Faust's most famous character was not a Western hero but a doctor—Dr. Kildare—who inspired a film of the same name plus fifteen sequels and a television series starring Richard Chamberlain.” (The Incredible Pulps: A Gallery of Fiction Magazine Art, c. 2006, p. 11).

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