|Publisher:||Grosset & Dunlap|
Mr. Raine gives us early Colorado in full and persuasive detail. We see Denver in 1860, with its shanty-lined streets, its brutal citizenry, and its primitive justice. The picture is decidedly stimulating in its reminder that the pioneer days of Colorado are within the memory of men and women now living. We in the snug East need to have our memories thus jogged. The novel does more than that, however, for in it we get an unpretentious, satisfactory adventure story, in which we find the usual outlaws, stagecoaches, and saloons. In addition, there is the love of a lusty lad for a beautiful girl. We find nothing remarkable in the plot, to be sure, but our common sense suffers no assaults. "Colorado" is, in short, agreeable adventure set against a splendid background.
—The Saturday Review, March 3, 1928 [Suggest a different description.]
Author Bio for Raine, William MacLeod
William MacLeod Raine (1871-1954)
William MacLeod Raine was a British-born American novelist, born in London, the son of William and Jessie Raine. After his mother died, his family migrated from England to Arkansas when Raine was ten years old, eventually settling on a cattle ranch near the Texas-Arkansas border. In 1894, after graduating from Oberlin College, Raine left Arkansas and headed for the western U.S. He became the principal of a school in Seattle while contributing columns to a local newspaper. Later he moved to Denver, where he worked as a reporter and editorial writer for local periodicals.
At this time, he began to publish short stories, eventually becoming a full-time free-lance fiction writer, and finally finding his literary home in the novel. His earliest novels were romantic histories taking place in the English countryside. However, after spending some time with the Arizona Rangers, Raine shifted his literary focus and began to utilize the American West as a setting. The publication of Wyoming in 1908 marks the beginning of his prolific career, during which time he averaged nearly two western novels a year until his death in 1954. Though he was prolific, he was a slow, careful, conscientious worker, intent on accurate detail, and considered himself a craftsman rather than an artist.
In 1959, he was inducted into the Hall of Great Westerners of the National Cowboy & Western Heritage Museum.
Sources: ropeandwire.com; fantasticfiction.com; wikipedia
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