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Title: Notes on a Dream
Date of first publication: 1971
Author: Maxwell Anderson (1888-1959)
Date first posted: February 18, 2026
Date last updated: February 18, 2026
Faded Page eBook #20260232
This eBook was produced by: Mardi Desjardins, Cindy Beyer & the online Distributed Proofreaders Canada team at https://www.pgdpcanada.net
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Gilda—Drawing by Maxwell Anderson, February 1959
Notes On A Dream
by Maxwell Anderson
Humanities Research Center The University of Texas
Copyright © 1971 by Gilda Oakleaf Anderson
L.C. Card Number 70-633716
Distributed by the University of Texas Press
| CONTENTS | |
| For Gilda: I (August 1952) | 13 |
| Triton (August 1952) | 15 |
| Evadne (September 1952) | 17 |
| Written, as You Will Notice, on a Day When There Was to Be No Phone Call (September 1952) | 19 |
| For Gilda: II (October 1952) | 21 |
| Here in the East (1952) | 23 |
| For Gilda: III (1952) | 25 |
| Dear Gilda (1952) | 27 |
| Night-Thought (1953) | 29 |
| Sometimes I See You (1953) | 31 |
| For Gilda: IV (February 1954) | 33 |
| Emotion Recollected in Tranquility (1954) | 35 |
| Darling (1954) | 37 |
| In Dream (1954) | 39 |
| For Gilda: V (February 1956) | 41 |
| Notes on a Dream (1957) | 43 |
| For Gilda: VI (February 1958) | 45 |
| Valentine for Gilda (February 1959) | 47 |
Notes on a Dream
There was a noon when the noon rode all day
Above me, riding in the heat alone,
And all the signs were hopeless all the way,
And out of pain my thought had turned to stone.
The long inferno of the summer’s breath
Made my sad hearing deaf, my seeing blind,
But hotter and more searing the unfaith
At the world’s center that I left behind.
And on and on and on in double hell,
Driving and driven, never stopped or turned,
No surcease for me, not to be made well,
I drove forever, while the earth flamed and burned
That endless noon, till in a fiery place
I came upon the healing of your face.
Then the hot day was cool, and neither hell
Was mine, and the red blindness left my eyes,
And I could hear, and could begin to tell
My hurt, and I was one who dying dies
Into new life, for I could see you there,
Able to love me, able to love one dead,
Able to give me life by what you were,
Kissing my lips, holding my throbbing head.
Now that long distance and long absence falls
Between us, and we know how people change,
I stare here at the curtains and the walls,
And all that once was mine is gone and strange,
And all I do and all I hope to do
Is done for you and in the hope of you.
Go well, oh little Triton, over the sea;
Slip between waves, slip between storm and wind,
Keep safe, whatever weather there may be,
And find good harbor at the journey’s end.
May they sleep well who trust your sails and spars,
All that you carry, and my girl, my own,
May she be certain, looking at the stars,
That I’m beside her, and she’s not alone.
Here in my room, going from word to word,
As you from wave to wave across the night,
I am aware of one who comes unheard
To sit with me in promise of delight;
And how we both can be here and there
Is mystery, yet I am there, she here.
Under this sky somewhere,
Somewhere under this sky,
Under the westering star,
I seek you out where you are,
I find you out where you lie,
Find you and kiss you there.
Nightly I find you out
Under the westering sun,
I kiss away fear and doubt,
Evadne, vanishing one,
Under the westering light
I find you, kiss you goodnight.
Lady of sadness, lost to sight,
Lady of dark and fair,
Under the westering light
I lay my head on your breast,
I kiss your lips and your hair,
I find you, kiss you goodnight.
Nightly, before I sleep,
Early, before the dawn,
I find you, and kiss you deep;
Under red sky, sailor’s warning,
Under the wakening light,
I find you, kiss you goodmorning.
To the west, above an oak wood,
Where the torn leaves hang brown,
The sun hangs dark in a cloudy hood
And will soon go down,
Leaving darkness over this place—
Its rhymes and rhyme—
Then, westering, touch on your face
At your supper-time,
And plunge to the darkening sea
When your day is done,
Leaving you dark, like me,
Dark and alone.
Alone, and no voice tonight,
No word, no call,
Only the earth in flight,
The turning ball,
Turning against the sun
Till it rise again
To another day begun
In November rain,
Begun, and must be lived through
Somehow, some way,
Till we speak again, and it’s you,
And my night is day.
The robins
And the starlings
Trouble the dogwoods,
Eating the quinine-bitter red berries,
Among the red leaves.
(It’s autumn,
October autumn,
And my love so far away.)
Venus burned at sunset
Just above the horizon,
And followed down
After the sun.
(They went your way, my darling;
Would I could go with them.)
In another wood,
Another woodland,
Set among hills,
My love goes walking in the cool evening
Trying to remember my face,
Hearing my words.
(Sweet love, in little glimpses,
Your face comes to me,
And your voice in odds and ends of whispers,
Almost whispering that you love me,
Whispering a kiss goodnight.)
Would I could share these dogwoods with you,
Would I could share your woodland hills,
And the great star going down in the west—
Would I could follow,
Would I could put my head on your breast.
There only is rest.
Here in the east the leaves begin to turn
Deep in the woods, orange and red and brown,
Evenings are chilly; it’s a time to burn
Hearth-fires; some close the house and move to town.
There are few flowers; only the roses still
Offer their changeless beauty into fall,
Yellow and crimson, till the first frosts kill
Petals and leaves, the winter taking all.
I look into the heart of this one bloom,
White, veined with red, and I see nothing here,
But a loved girl far in an unknown room,
In a far valley, bending warm and near,
Whispering—I am as near you as I seem,
For there is nothing stronger than a dream.
When I have seen the world’s great bridges span
Wide waters, and have heard men boast of one,
Longest of any ever built by man,
And how a million wires were slowly spun
To make its cables, then I think of you
And of the rainbow bridge between you and me,
Built in a night of spider-web and dust
But spanning the whole sky from sea to sea.
How frail it seems, how prone to accident,
How open to the storms of dark and change,
Yet the wild weathers our misfortunes sent
Against it, find it firm all the long range
From me to you, from you to me, and filled
With richer freight than bridges that men build.
Have you waked in a night with no stars,
Not one in the sky,
And felt your love far, oh, a world too far?
Sweet, so have I.
Have you looked at the sun and the moon
And known no light,
Only darkness at midnight and noon?
I live in that night.
Have you sat and listened to mirth
And nothing heard,
Only silence over the heavy earth
For lack of a word?
For lack of a word from one away
Too far, too far?
This is my case where I am today.
Would I were where you are.
The swift play of the children touched it first,
Comprehending other worlds than ours,
Admitting that there was no best or worst,
Only the eternal climb from dust to flowers,
The climb from cosmic dust to mammoth sun,
Suns in gestation, whirling in the dark
Millennia, till they burst one by one,
By millions, on each millionth shard a spark,
A spark in a dim cold-warm that must grow
A thousand centuries toward eyes and ears,
And memory, till it find the power to know
Vaguely, the record of its crawling years,
And guess among stars similar to these
Minds swarming through the universe like bees.
Sometimes I see you at your dressing-table
With phials and jars and jewels under your hands,
Looking at your face, thinking, perhaps, Will he like me this way?
Or is it better now? turning to smile at one who stands
In the doorway, but still full of your thought, returning
To study your face, touching a strand of hair,
Wondering, would he like me better—? Darling,
Darling, I’ll like what I see when I am there.
Up and down the streets of this winter city
The people hurry by from place to place,
And I hurry too, forever seeking among them
A certain figure and a certain face.
Seeking, and will not find, and cannot find them,
Here, in this endless wash of faces and things,
Because you are there before your dressing-table
Turning on your finger symbolic rings.
And in all the world of streets and houses
And forms and faces passing before men’s eyes,
There is no face, no form, with magic for me
Save only you, lovely without disguise;
And I shall wander lonely and be homeless
Among all women and men, mile after mile,
Until you turn and see me in your doorway
And I see your smile.
Do you remember, love,
When the night was an aching desire,
And the day was an ache in the sky above
And life was a fire
Consuming us both, and the air
Was incandescent between
Us two, and what had been sullen there
Flowered bright among the green?
This time was ours and was pain
And sadness and terror,
Treading a path we could not retrace again
If we chose in error,
Pain in the midst of delight,
Delight that conquered doubt,
Till there came a night that was our night
And the pain flickered out,
Leaving a steadily burning flame,
Independent of sun,
Wild fire neither wild nor tame,
Making us one.
Along the beach we went miserably walking, walking,
Where great waves stunned the sand,
And as we walked we were slowly, miserably, talking, talking,
No longer hand in hand.
Grimly we passed the backs of little places closing for the winter,
And there was nothing, nothing in our faces,
For we would be no more together. We had come to a dark end.
We met some friends who called merrily to us.
We were stony silent.
They said what’s the matter with you two?
And went on.
It was no worse or better when they were gone.
Nothing more was said.
Along the beach southward we went miserably walking, walking,
By the lunging sea,
And behind us nothingness came miserably stalking, stalking,
And the sunny waves were grey and heavy as lead.
We were married a little later and lived more happily than most,
Yes, much more happily;
For countless hours there was light on the water
And the days ran together
In honey-years under a honey west.
But what I remember sharpest is the emptiness of walking, walking,
Stunned and lost,
And all around the sad gulls dissonantly squawking, squawking,
In time long past.
Darling,
When you’re away I’m lonely,
When you’re away there’s only
One cure for sadness—
It’s to hear your step returning,
To tremble where you’ve found me,
To feel your arms around me,
And to wake with you at morning—
And to wake with you at morning.
We walked in the withered valleys
Of Saturn, and saw the rings,
Covering half the sky, and you said,
“These are impossible things,
We cannot be here, they do not happen,
Yet they are more likely than the delight
We found in the crinkled valleys of despair
In the night.”
It was dark in the desert; we walked
There invisible;
We were bitten by snakes, side-winders. We kissed
And we were well.
“This is impossible,” you said,
“It is not true.”
Yet you were cured by me
And I by you.
This brick house we bought together,
Painted white against the weather,
Snuggled close behind the walls,
Where tide rises and tide falls,
Where the flaming sunset rides
On the dark salt waves of tides,
Where with work and play and laughter
We go through days and what comes after,
Where we drink our evening wine,
This house—round about, above,
And the roots below—I love
Just because it’s yours and mine.
In the early morning,
When it was dark, and freezing rain
Clicked on the panes,
I woke from a dream, a dream of you,
And when my eyes grew used to the little light from the window
I could see the white of your pillow and your dark hair against it.
Then I remembered
That I had dreamed of you and me when we were young.
Your house was in a distant city
And I had come there, meeting your family for the first time.
They were shadowy,
But you were beautiful as you are now,
And my years had fallen away.
There was question in your eyes,
Why had I come there?
What would it mean?
And I knew that although we had been in love
One time together had been too brief to tell us
Whether our love would last.
You searched my eyes and I searched yours,
Then you smiled and we knew the answer,
And I woke and had no wish to sleep again.
When you first came I do not know—
The hour, the day, the year.
Nor in what far-off place we stood—
Only your face is clear,
A delicate face among those met
In a forgotten room,
The others long since faded now,
Slipped into gloom.
Only that moment is engraved
On the bright air,
Your face, seen first against the dark—
You standing there.
The days are so different
Since I met you!
So many ways to be happy,
So many happy things to do!
Early in the morning
All alone I begin to sing,
It’s like the difference
Between February and spring!
I was living in an empty room,
Suddenly there are flowers!
All the air is a honey perfume,
And all the world is ours!
The streets are full
Of coming and going!
My head is full
Of loving and wooing!
I go hurrying, dancing, hurrying
With gifts to bring to you!
And I can hear my heart beat, sweetheart.
Saying, I love you,
Saying, I love you,
Saying, you love me too!
The years are so different
Since I met you,
Every day is a holiday
Whatever I have to do!
Even winter mornings
Far away from the spring
I turn on the shower
And lift a bad voice and sing!
I was living in a shut-up room,
Suddenly there are flowers!
All the air is a gay perfume,
And all the world is ours!
The streets are full
Of coming and greeting,
My head is full
Of our next meeting!
I go scurrying, dancing, hurrying
With all my self to you!
And I can hear my heart beat, sweetheart,
Saying, I love you,
Saying, I love you,
Saying, you love me too!
COLOPHON
750 copies have been printed on
Chillicothe’s Adena Text. The text is set in
Baskerville with Virtuosa for titling
Designed by William R. Holman
TRANSCRIBER NOTES
Misspelled words and printer errors have been corrected. Where multiple spellings occur, majority use has been employed.
Punctuation has been maintained except where obvious printer errors occur.
The Forward by Lawrence G. Avery can not be included due to copyright considerations.
[The end of Notes on a Dream by Maxwell Anderson]